Disability and Comedy: A Recipe For Inclusion

By Mark Steidl for Unabridged Press

PITTSBURGH — Would you tell a room full of strangers about your illness or disability?

Pittsburgh comedian Brian Gray has started speaking openly on stage about his struggle with crippling migraines. But it took a while to share his story–with his partners on stage, coworkers, and even to wrap his head around it himself.

“I can never be a traditional actor or a comedian living the life on the road and all that that comes with it because of–of this way that I am,” Gray says. “ A lot of times that just gets me depressed.”

He says that when teaching or acting, he has to make backup plans. The nature of improv comedy as a team production is helpful.

“I don’t make a whole cast responsible for understudying me…for shows that I have to miss,” he says.

Our “Look Who’s Here!” podcast host Mark Steidl and Point Park University student Nicole Paxinos spoke with Gray, who’s taught improv in Austin and New Orleans. He is the Education Director of the Pittsburgh Comedy Festival. He also serves as a teacher and New Artist Ambassador with Arcade Comedy Theater, where he performs. 

Gray says he admires other performers with disabilities, such as local comedian Gab Bonesso, who talks about her struggles with mental health, and national performer Josh Blue, who has cerebral palsy. 

These performers and performances can connect us as human beings, Gray says, and allow us all to laugh with them.

But Gray says it’s important for improvisers to be aware of the physical and emotional limitations of their partners. 

“Having conversations about what makes us ourselves, as opposed to sort of hiding those things as we sometimes are taught or socialized to do, really makes this work special,” he says in the interview with Steidl and Paxinos.

Gray says getting to a point as a performer where he can integrate his physical limitation has been a journey, but it’s better than “shaking my fist in the air, which is what I did for many years.”

In this podcast episode, Gray also compares notes with Steidl and Paxinos about how network TV shows portray disability. ABC’s “The Good Doctor” and Netflix’s “Atypical” incorporate characters who have autism spectrum disorder. “Speechless” was recently cancelled, but featured a character with cerebral palsy who used a communication device (similar to that used by Stephen Hawking, the machine typically reads aloud the user’s typed words). In Speechless, the teen with cerebral palsy hired a person to read from the device, which is rarely the case in reality. Gray and Steidl agreed that authenticity should be the next phase of inclusion–hiring actors who have the disabilities portrayed, and showing the disabilities more accurately.

This piece, and companion video were produced in collaboration with the Center for Media Innovation at Point Park University as part of our Abilities Media Project. The work is funded by The FISA Foundation and an anonymous foundation.

Life After Active Duty and the Real Consequences of War

By K. Gerard Painter for Unabridged Press

What’s the most effective way for veterans to share their stories so that the public can understand the realities of war?

A recent roundtable that included news reporters and veterans considered how news reporting on veterans and war, books, podcasts and poetry can communicate veteran stories. The conversation was filmed at the Center for Media Innovation at Point Park University.

Do you tune out American #veterans who are killed, maimed, and broken?. This recorded conversation confronts how, where, and whether we learn about warriors.

Author Carmen Gentile has worked on podcasts with Veteran’s Breakfast Club, which include Longest War: The Post-9/11 Veterans Podcast. The Veterans Breakfast Club also holds events for veterans to tell their stories. The events attract hundreds of people who want to listen. The club’s surveys show that 95% of veterans attending reported “a healing benefit” from storytelling events.

Gentile wrote “Blindsided By The Taliban,” about his experience reporting, and being injured in Afghanistan. He is also an Editor-at-Large for Pittsburgh’s Postindustrial Media

The Veterans Breakfast Club, he says, seeks “to tell the stories of veterans going all the way back to World War II and the Global War on Terror veterans to talk about their experiences and to try to share those not just within their community, but to get outside that community, outside that veteran bubble, to let people know that this very small percentage of a warrior class that we have in America is also an integral part of society.”

CBS Producer and Military Veterans in Journalism founder Russell Midori stressed the importance of media outlets seeking out veterans for their teams. 

Honestly, these veterans who don’t go to work in journalism because it’s too hard to break into the industry–they end up getting great jobs all over the place and they get paid much better,” Midori said. “This is a diversity issue that that companies–that companies should be looking at and how they can improve their own diversity perspectives. And I think it starts with even them just saying, ‘How many veterans work on your staff? We don’t–nobody even says that. We don’t have any data for that.”

During the discussion, Quil Lawrence, author and National Public Radio war correspondent, touched on the notions of the now decades-long American wars and the effects they’re having on the world at large.

“What do we owe these people whose country we invaded and occupied, or what do we owe our own soldiers? Lawrence said. “And do our citizens have an idea about why we’re there, what the mission is, when we will have met that goal?”

Veteran Sean Tyler told the group about using poetry to convey some of his trials after his time as an active duty soldier.

Article mentioned this poem.
Detail of poem by Sean Tyler:
“There’s blood, there’s blood on the floor. I can’t take much more. Who knows what I’ll see when I walk through that door? Because there’s blood, there’s blood on the floor. The screaming and crying. I watched my friends dying. Sights I can’t erase. Where the fuck is his face? He’s losing blood. His legs are gone. Till his last breath. It won’t be too long.”

This event was part of The All-Abilities Media Project, a collaboration between Unabridged Press and the Center for Media Innovation at Point Park University in downtown Pittsburgh. The work is supported by the FISA Foundation.